With an apparent appetite for destruction, not least that of his own reputation and even art, what, one might ask, are the Swiss artist’s motivations, and does he have any limits?
Beatriz Milhazes discusses her latest project at the Venice Biennale’s Applied Arts Pavilion, a collaboration with the Victoria and Albert Museum in London.
'I must reject the nomination given to me by your institution, but the invitation to join the side of history that bends towards justice remains always open.'
Reflecting on Archie Moore’s presentation ‘kith and kin’ for the Australia Pavilion, the talks programme will explore two of the exhibition’s central themes
Wallace Chan returns to Venice with Transcendence, an exhibition that explores the pursuit of a meditative state and how the mind can transcend the normal limits or boundaries of space and time.
No longer the butt of an old joke, Ono’s works on show at Tate Modern can be seen for what they’ve always been: an intrusion of artificiality and performance into everyday reality
Two new books attempt to examine how platforms and their algorithms vine into our desires, preferences and self-conception – and the answer is always messier than it first seems
While the cultural sphere is engaged in displays of inclusivity, positive representation and post-#MeToo feminism, billions of people are slumped over their smartphones, feeding the monster under society’s bed
A new survey at Palazzo Grassi, Venice, positions Mehretu amid a wider web of artists, musicians and theorists – including Paul Pfeiffer, Tacita Dean, Fred Moten, Pharaoh Sanders and Huma Bhabha
‘Telsem Symbols and Imagery’ at Sharjah Art Museum questions how present-day art practices arising from long-gone native rituals are categorised and perceived