In darkening times, the New York institution’s flagship exhibition turns to the cute, the zany and the interesting. Is this move evasive, or even appropriate?
“Artists working in Britain take ourselves and what we do quite seriously which is miraculous given that our governments and the press have always found visual art challenging”
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
