Visually seductive, responsibly researched, culturally portable and diplomatic, In Minor Keys is a protest conducted with fine-print slogans and no concrete demands
Naked piss-tank dancers; Wohnung dioramas; monuments to massacre, and more – ArtReview editors on the national pavilions not to miss at the 61st Venice Biennale
Rememory, the 25th Biennale of Sydney, is a timely rumination on marginalised histories, but the context in which it takes place supercharges its potency
The art of Mongolian Tuguldur Yondonjamts appears to amplify the voices of the landscape around him, but might more simply be an encouragement for us to listen
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
