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Contemporary artists & photography | Online Art Magazine | ArtReview

From the Magazine

SEPTEMBER 2010 OUT NOW

Whether viewed in a gallery setting or on a laptop from the comfort of your sofa (better), Ryan Trecartin’s hyperactive, hyperreal TV soap operas jangle with the air-kiss and bitch-slap of contemporary camp. Not so Ragnar Kjartansson’s oeuvre, though there’s a strong element of endurance to his work too – we meet the artist in his new Reykjavík studio. Plus LA’s Machine Project collective and Andy Warhol’s last ‘interview’.

FROM THE SUMMER ISSUE

Juergen Teller

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Network

August members' roundup – the best of the network

By Suzie Martins

Playlist

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News

Peter Saville designs England football shirt
World's richest man to open museum for his Rodins in Mexico
Art courier loses $1.3 million painting on drunken night out
Gilbert de Botton Art Prize awarded
Ann Liv Young to explain PS1 urination and masturbation
Michael Snow sues TIFF Bell Lightbox developers

First View

Shana Robbins: Superconductor By David Everitt Howe
Postcard from Villa Reykjavík: Part Two By Laura McLean-Ferris
Postcard from Villa Reykjavík: Part One By Laura McLean-Ferris
Uta Barth: Seeing Is Forgetting the Name of the Thing One Sees By Lyra Kilston

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Audio

NEW EPISODE: Charlie Woolley: Radio Show: Episode Five

This week Charlie meets artist Frank Haines, discussing Haines's work and the legacies of heavy metal music and imagery

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Video

ArtReview: The Cup 2010

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Close Encounters: Ralph Rugoff and the artists of New Decor

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Close Encounters: South London Gallery extension

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Close Encounters:Hervé Mikaeloff

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6th Berlin Biennial

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Jeff Koons: BMW Art Car

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Project Space

Rob Smith

Rob Smith is the latest artist to be invited to contribute a Project Space to the ArtReview website. Visitors will be presented with just one of fifteen images each time they view Scanner. As a consequence each viewer will, in effect, be presented with a different work, which slowly reveals itself, highlighting its pixel makeup as it does, on each consecutive visit.
Read the interview ›