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artreview.com 12 October 2008

Stephen Plount's Page

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Stephen Plount added 2 photos. View Artworks
rose Bee
1 hour ago
Stephen Plount left a comment for Luke Gilliam 9 hours ago
Luke Gilliam left a comment for Stephen Plount 9 hours ago
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Stephen Plount commented on the photo Yo Mo Modernism 1 10 hours ago
Stephen Plount left a comment for Luke Gilliam 1 day ago
Stephen Plount's profile changed 1 day ago
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Profile

Website
web.me.com/plounts/Stephen_Plount/Home.html
If you're an artist, what kind of art do you make?
Painting
I am...
a painter
About my artwork
minimal, simple, clear, clumsy, stupid, repetitive, rhythmic, disoriented, transformational, existential, allegorical, metaphorical, meaningless, meaningful, empty, full, accidental, changing, static, deplorable, laudible, laughable, serious, sad, sweet

commentary in print or lecture form perhaps provides an instrument that would, "tell the public how the pictures should be looked at and what to look for. While on the surface this may seem an obliging and helpful thing to do, the real result is the paralysis of the mind and the imagination (and for the artist a premature entombment)."
Mark Rothko in a letter to Katherine Kuh, 1954

A search for certain beauties, certain forms, certain images that are capable of containing and depicting, in the silent language of pure painting, feelings that are beyond words and reason. While the aspect of a “moral universe” is generally deemed passé, even archaic, these days, my studies of the work of Mark Rothko and Agnes Martin have tended to embed this concept and those surrounding ancient and tragic wisdom contextually within my daily practice. There is a seriousness in my work that in most instances, these days could be viewed as somewhat amusing, if not pretentious. But, I am not applying an intellectualizing approach lacking in content to painting but am interested in those elements that are intellectual in regards to painting as it is now rather than just that which appeals to the senses. The question with each new work, possibly with every brushstroke, is how does one translate one’s principles into the non-discursive language of painting with any success?
SP.
Artists I like
Agnes Martin, Mark Rothko, Frank Stella, Georgia O'Keeffe, Marsden Hartley, Arthur Dove, Paul Klee, Arshile Gorky, Sean Scully, Marcus Raetz, Matthew Deleget, James Kennedy, William Carlos Williams, Rainer Rilke, Remko Scha, Jeremy Gilbert-Rolfe, Frank Auerbach, Willem DeKooning, Joan Mitchell, Yves Klein, Imi Knoebel, Blinky Palermo, Sol Lewitt, Mel Bochner, Tara Donovon, Yun-Fe Ji,

Music
Evgeny Kissen, Tchaikovsky, Gustav Mahler, Johannes Brahms, Bach, The Kronos Quartet, Wolfgang Mozart, Dimitri Shostakovitch, Philip Glass, Igor Stravinsky, Olivier Messiaen, Antonio Vivaldi, violin, cello, flute, viola, clarinet, harp, piano, Chamber music, Charles Lloyd, Huguette Dreyfus, Keith Jarrett, Chet Baker,
Interests
painting and drawing, color theory, color, nature, human beings, cats, flowers, fog, clouds, skies, art history, paintings, brushes, paint, liquids, rain, grass, trees, waves, beaches, fear, death, sorrow, myth, immaterial things, small and insignificant moments of delicacy and beauty
coffee

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At 11:32pm on 11th October 2008, Luke Gilliam said…
Thank you!

I struggle bitterly, ferociously with objects. you mentioned 'placement of elements'. Half of me wants to paint lots of random circles - totall free expression, the other half wants to force elements onto the surface that don't fit together - a turbulent fish tank.

You mention also Dmitri Shostakovich. It's funny, the 7 yellow pieces that went up last week ending inbanzini - the were all made listening t ether the violin concertos by shostakovich - or the fais voil piece by Stockhausen featuring Michel Portal. I suppose we live in a small world.

Can I ask - your piece Cloudy Day - what is it based on - why the arrangement of rectangles? Or are the rectangles a distraction ?

Luke
At 8:54pm on 10th October 2008, Luke Gilliam said…
Hi Stephen,

thank you for your recent comments. I think Istrucjk smthing with the middle piece you spoke of. It started as an accident.

Then again I wonder somtimes maybe everything satarted with an accident? I've taken a look at your new paintings - I need a second and a third look. Maybe a fourth. best fr luke
At 9:59am on 10th October 2008, Tatien said…
Thank you! You do great work too! I like it very much...
Have a good day!
Tatien*
At 10:52pm on 9th October 2008, Luke Gilliam said…
Hi Stephen,

I'm glad you put more stuff up here - regardless of websites - it is good for people to be able to come up and see your work.

I have put up three new paintings - check it out and tell me if there is something that I myself may not see (as I rarely have much of a clue as to what i'm doing??...

ok ciao, luke ::=======)
At 9:37pm on 9th October 2008, Micaela said…
Thank you!
At 3:47pm on 5th October 2008, Gary Farrelly said…
Thankyou, I am glad you like the repetitive character of my work. The manifesto (there is only one) is rhetorical and intended to motivate the people who wrote it- not for you to be sure of.

Keep in touch,
-Gary Farrelly
1983 - 2077 Delete Comment
At 11:39pm on 2nd October 2008, Mark Bennion said…
Thank you Stephen......I like your work.

Cheers......

M



www.markbennion.com
At 11:51pm on 29th September 2008, Tawakwan said…
Cool page.
At 9:49pm on 29th September 2008, Michael Bowdidge said…
thanks for the add Stephen - keep in touch :)
At 7:31am on 27th September 2008, xuyun said…
Hi,
very interesting painting.
I invite you to discover my page, that was my summer project ...
Take care,
xuyun
 
 

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