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I'm scratching my head about this "personal object" you want me to take, but I'm sure I'll find something.
Is it a suit job or jeans and tee shirts?
I feel the dichotomy, there is no romance I assure you. Though there is a dignity in labour, skills that are a lost to an era that was subservient to a class system.
I ask my students what do they see when painting a landscape, do they see I ask that a dry stone wall represents social division, the enclosures act of the 18th Century.
This is why landscape painting still has a relevance in todays contemporary art world.
It can say volumes about class, history and politics.
Kane
I've thought about your "cappuccino period" assertion and whilst ...as I've said....where I am right now it's all bloody Blanquette ...where you are, I intuit that cappucino is just too retro. Latte, Kane dwarling, everyone's into latte now. I've also looked at your work again and reckon I shortchanged you with my last comments. It's hard to pin you down to a definable style as you really do paint with equal dexterity and aplomb in several, if not many. I'd guess this is you "enjoying the moment" in paint but I am deeply envious of your talent and suspect you are a really good teacher. That said, you'd be a bugger to market. Ha! And I still don't drink frothy coffee but thanks again.
MIKE
Good comments, I blame it all on Picasso and an art school education.
I have been looking at the scottish colourists recently, Cezanne and the Glasgow Boys.
It's just good old fashioned painting, no pretence or theoretical bollocks.
It's about a subject, paint and a feeling for the moment.
Kane
Best wishes,
Layla
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