Maggie Mowbray Edinburgh

Maggie Mowbray's Friends

 

Profile Information

Relationship status
married
College / University
Duncan of Jordanstone College of Art
Program
Printmaking
Graduation
1 June 1996
Member type
Artist
If you're an artist, what kind of art do you make?
Drawing, Installation, Painting, Photography, Printmaking
About my artwork
Maggie Mowbray’s work encompasses minimalist inscriptions of black and white fragile lines meeting with mass and landscape. The process of mark making is central to her practice, the energy bound in making the mark and in the spaces between, connecting hand, eye and mind in a non-verbal dialogue.

Her current work focus is that of our Coastline, organic growth and movement made solid by nature and our interaction. The continuous deterioration by the sea and wind, but which with every action creates new forms and life.

This process of creation and destruction is echoed in the making of her work. She uses mixed media; inks, pastels, graphite, charcoal, thread, wool, wire, silk, paper pulp and paper cuts, exploiting the distinct qualities of each medium. Images are torn and overlapped, collaged and recreated; the process is a determining factor in the marks made and in the final outcome. The drawings are mainly achromatic which allow the forms to relate with the surrounding paper. She rejects theories normally applied to drawing, in favour of a complete openness towards materials and processes.
The centre of the artworld is
Beijing

Comment Wall (21 comments)

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At 6:45pm on 17th November 2008, Victor Martinez Diaz said…
Hi Maggie! Thank you very much for your comments! Indeed a little sinister as history reveals! I also enjoy a lot your work! is so pure and tectonical, keep me updated please!!
Greeting from Mexico
At 6:03pm on 8th November 2008, ART & ARTISTS LA said…
BLUEBIRD ART HOUSE AND ART&ARTISTS LA are pleased to announce the 1st INTERNATIONAL JURIED COMPETITION 2009.

Open to all artists in all fine arts media we seek to recognize outstanding quality and diversity in the arts.

The 2009 IJC is open to all artists worldwide, age 18 and older. All works must be original. Entries in the following medias will be accepted: Painting, Drawing, Mixed media, Printmaking, Watercolor, Ceramics, Sculpture, and Photography.

Entry Deadline February 15th 2009.

AWARD

A solo show next winter 2009 at Bluebird Art House and $1500 to the winner. 1 work in the show for each one of the 3 runner up.

To receive the Submission Form and bases

E-MAIL: BBIRDINTCOMP@YAHOO.COM
At 8:10am on 7th October 2008, mai fujimoto said…
hi, maggie
(hello from brazil)
i like your drawings,
mainly the two 'untitled'.
best wishes!
At 5:25pm on 30th September 2008, Richard Ashworth said…
Yes i am well understand the word simple, in relation to art.
Simple as in abstracting taking away the detials and leaving only the essentials. or braking something down till its main structure. or shape, such as say in a cezanne, or a brancusi. , or even say that famous one by Rembrant, of the women bathinh her feet in water, I remember so much topic based just on the paint work of , i think the right arm. or colour. remains, or something remaining pure in thought and atitude
without care for isms. and its known often nieve painters prefers detials
such as adding in each eye lash with the stroke of a good sable brush
But yes, i use this matarial, because of its avialability, and i have no money, to spend on real art shop matariels such as oil paints, and thiers more dust and muck floating about in the air, than thier was in the golden days of oil paint. yes you can get cheap canves on stretchers, but it all looks a bit kitch the way the artshops present art goods these days, all in fancy contianers and rappers, i hate this kind of popularity
i think that the artist has to be like a nomad go the oposit direction of gimicks and fads. but yes, i use it as the same reason as you, but i have other things plaaned i hope for the futcher work. i do not like to be in a closet or pinned downd to i am this kind of artist
Its all a bit art school attitude. though i get the feeling things are changing, with the schools a bit ...yrs... R A
At 8:59pm on 29th September 2008, jan lewin-cadogan said…
I love the new work you have just uploaded, you have a new fan!
At 1:46pm on 29th September 2008, Richard Ashworth said…
thanks for your statment, yes simple, thiers so much to look at in a simple line, you could spend hours drawing a line from a branch
that it might go unoticed in large compostions such as a battle seen.
or a contour of a mountian side, that is what i like about your work
fresh and pure, and something holding both your nature and the matarials,
and catching the elemants of the day for example perhaps some of the dirt got traped in to the paper you had been using, and the damp stians give you the feel of what type of wether you can feel it in thier.
Good greif, Scotland, Nether crossed my mind about showing in scotland!, i have never gone further than the town i live in, and perhaps a small bus journey away, well its all down to finance. But yes i will let you know iff and when i show work up in scotland. next year i should start thinking a bit further a field.... but its all... Finance...finance... finance. yrs... R A
At 8:59pm on 28th September 2008, Giulio Baistrocchi said…
great work
g
At 10:19pm on 3rd September 2008, Luke Gilliam said…
My pleaseure. The laerying and cutting processes you use are very fascinating!

Pease stay tuned as i will be uploading about 5 new works at end of sep in preparation for a november exhibition. Some of the pieces feature cuttings of painted cork and sandpape and also photographs which might resonate with what you are doing.

Please stayin touch, luke ::]]
At 6:37pm on 1st September 2008, Luke Gilliam said…
[Shore 4 2008]
At 6:37pm on 1st September 2008, Luke Gilliam said…
Yes, this is very strong. I am attracted to your piece Shre 4 2008. I like the way you have put together the shapes andthe texures. The cutting of one texture forms the shape of the next texture. I also sense a very strong connectionwith the subconscious - with the outer physical - maybe the layer between the physical and the void?

please make more - {!!} best, luke ::]]
 
 

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