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artreview.com 8 August 2008

Shulamit's Page

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shulamit added 7 photos. View Artworks
portrait portrait drawing drawing
22 Jun
shulamit joined 2 groups. View Groups 31 May
shulamit commented on the photo abstract 30 May
Luke Gilliam left a comment for shulamit 30 May
A.Nasser AMER left a comment for shulamit 30 May
shulamit left a comment for A.Nasser AMER 30 May
shulamit added 8 photos. View Artworks
crying crying crying crying
28 May

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Relationship status
in a relationship
Member type
Artist
If you're an artist, what kind of art do you make?
Drawing, Painting, Printmaking
I am...
an israeli
interested in people
About my artwork
mix media
Artists I like
mattiss
Interests
languages
philosophy
art
music
people
The centre of the artworld is
New York

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At 11:36am on 22nd June 2008, Beppe said…
This is the manifesto from which the base of the PURAISMO is understood or Pure PAINTING.
Hi Beppe
Pure-Painting or Puraismo:
The Manifesto
"I DON'T SPEAK OF THINGS IN WHICH I DON'T BELIEVE"
Devoti Giuseppe Sebastiano

1. as in the classical Purism us artists of the Pure-Painting we want to express us through images introduced in a sober and rigorous expressiveness, whose forms are synthetic, in which the contours insert him the one in the others in a puzzle frontal what it brings to a composition to the abstraction.
2. the Pure-Painting, it is a tide newpurista that continues to affirm the plain surface through a definite color, readable self-going , not neutral.
3. The treatment of the color both a formal fact characterizes the magic relationship that the artist entertains with the subject of expressiveness the stylistic element that identifies a function mediated through a true emotional pathos.
4. our work has to be born from the precise analysis of the appearances abdicating the optic interpretation of the world.
5. it is necessary to leave that the things penetrate in us and they invade us.
6. it needs that our art takes form from the native thoughts of the movement cancelling from ours to act: the academic visual habits, the perceptive adjustments, and in general the pictorial tradition.
7. we don't deny the tradition, simply we don't intend to be a part it. The tradition stops the search, it pushes to crystallize on stereotypes already experimented and therefore discounted.
8. our world is the place in which there is no space for the familiarity, for the effusions, in which it is not owed us to feel to really ease, is the place in which it makes him emerge a feeling of extraneousness toward the cultural continuity, the place of the existence every time again invented as utopia of the genesis. The new aboriginal mythology, in which to reproduce the metaphysical state of the feelings of the "it was Of the Dream."
9. The photographic painting of the reality there is extraneous in how much the world of the third millennium already has a whole series of tools actions to use this form of realistic representation: the cinematography, the photo the advertising placard, the murales they develop very well this explanatory function.
10. It is necessary to propose a pure subjective vision, to paint a subject that takes form, in almost spontaneous and primordial way, under our hands.
11. It needs that our painting results as a native together "coacervo" of all of this that will be
12. We have to know how to evoke a divine force to return to the perception virgin of the origins, that not infiltrated by looks that they judge, they welcome or they throw back.
13. We firmly believe in the expressive liberty provided that exempted by the foolish overlap that they characterize the crepuscular way of painting.
14. Liberty is the status been born by the knowledge, this Socrats vision of the liberty according to which: "the sin is an unintentional consequence of the ignorance", has been taken back and modernized toward a new community thought of liberty. In this perspective we set there in the position to teach to observe over the simple action to see the reality.
15. The indications of this manifesto are not to imposes bridles but an ethical that it proposes of behavior that points out the direction not the road.
16. Our art won't be decadent, banal and academic therefore it is PURE PAINTING.
At 10:53am on 22nd June 2008, Beppe said…
They just translate me the text I transmit it .Hi Beppe
At 8:27am on 11th June 2008, shulamit said…
hi
i find it easier to be in touch through skype
my user name is
shulamitamit
cu
shulamit
At 8:17am on 11th June 2008, Beppe said…
Hi,
I'm from ITALY. I invite you to visit my site. www. beppedevoti.com. and http://www.artreview.com/photo/album/listForOwner
I want to invite you to join me in the pure painting art. Thank you for having answered to my Message. I would be honourable if You wanted to participate in the group of my friends. Beppe
At 7:38pm on 30th May 2008, Luke Gilliam said…
thanks so much for your comment! Bandazi was one of those rare moments when i got exactly what I wanted. i'm thinking to do 2 or 3 like Bandazi on box canvass - but with the same colours. There is a piece in your gallery that is incredible. I think it is called Abstract. Luke :)
At 1:31pm on 30th May 2008, A.Nasser AMER said…
tthanks for add me ..i hope all going well
nice artwork
nasser
At 3:21pm on 19th May 2008, artreview.com said…
Hi Shulamit,

Welcome to artreview.com. It would be great to see some more of your work here.

Hope you enjoy the site. Also, check out ArtReview:Digital -- it's ArtReview magazine on your screen every month, and it's FREE
At 8:44pm on 17th May 2008, ezzaldin shahrori said…
nice work
 
 

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