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19 July 2008
Puraismo
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Wonderful world!
transmits You a summary of the text on the puraismo, excuse if the English is not very correct.
Hi Beppe
PURE-PAINTING or Puraismo 2006
Movement founded by the painter Giuseppe Sebastiano Devoti Turin that is set in the seam of the European cosalismo.
The artists of the “cosalismo visibilista” gain the look of the observer, but they look for - in
way more and more radical as soon as they evolve their project - to eliminate theirs
look from the picture. Their metaphysics of the to look, returns the world before each
look, also of that of the artist, introduces the archetype of the reality reinventata, that
aurorally of the dream in a vision dreamlike of the cosmogonico myth of the universe before
the man to phagocytize integrating it to his own desires and needs.
This world makes him look as it makes him look at the surface of an unknown planet:
the anxious beauty (unheimlich) of what has not been seen before never, this pure art
or Puraismo is born in the world of the artistic cosalismo and is asoggettiva. The triumph
of the appearance on the reality recognized that the cubism complete multiplying the points of
sight, the Puraismo pursues him/it projecting on a surface synchronic (coexistent) the
following moments of the process of visual identification of the composition. The faculty
innate to recognize and to interpret, the perceptive inheritance as legacy of ours lived, is the job of visual appropriation of the world since our birth
The world of the artists of this new pictorial tide, as they quote in theirs
apparent, it is a place in which there is no space for the familiarity, for the effusions, in which not there
it is had to feel to really ease is the place in which to make to emerge a feeling of extraneousness
toward the cultural continuity, the place of the existence every time REINVENTATA as utopia
of the genesis. A new aboriginal mythology, in which the metaphysical state of the reproduces him
feelings of the "it was Of the Dream."
Pure-Painting or Puraismo:
The Manifesto
"I DON'T SPEAK OF THINGS IN WHICH I DON'T BELIEVE"
Devoti Giuseppe Sebastiano
1. as in the classical Purism us artists of the Pure-Painting we want to express us through images introduced in a sober and rigorous expressiveness, whose forms are synthetic, in which the contours insert him the one in the others in a puzzle frontal what it brings to a composition to the abstraction.
2. the Pure-Painting, it is a tide new-purist that continues to affirm the plain surface through a definite colour, readable self-going , not neutral.
3. The treatment of the colour both a formal fact characterizes the magic relationship that the artist entertains with the subject of expressiveness the stylistic element that identifies a function mediated through a true emotional pathos.
4. our work has to be born from the precise analysis of the appearances abdicating the optic interpretation of the world.
5. it is necessary to leave that the things penetrate in us and they invade us.
6. it needs that our art takes form from the native thoughts of the movement cancelling from ours to act: the academic visual habits, the perceptive adjustments, and in general the pictorial tradition.
7. we don't deny the tradition, simply we don't intend to be a part it. The tradition stops the search, it pushes to crystallize on stereotypes already experimented and therefore discounted.
8. our world is the place in which there is no space for the familiarity, for the effusions, in which it is not owed us to feel to really ease, is the place in which it makes him emerge a feeling of extraneousness toward the cultural continuity, the place of the existence every time again invented as utopia of the genesis. The new aboriginal mythology, in which to reproduce the metaphysical state of the feelings of the "it was Of the Dream."
9. The photographic painting of the reality there is extraneous in how much the world of the third millennium already has a whole series of tools actions to use this form of realistic representation: the cinematography, the photo the advertising placard, the murales they develop very well this explanatory function.
10. It is necessary to propose a pure subjective vision, to paint a subject that takes form, in almost spontaneous and primordial way, under our hands.
11. It needs that our painting results as a native together "coacervo" of all of this that will be
12. We have to know how to evoke a divine force to return to the perception virgin of the origins, that not infiltrated by looks that they judge, they welcome or they throw back.
13. We firmly believe in the expressive liberty provided that exempted by the foolish overlap that they characterize the crepuscular way of painting.
14. Liberty is the status been born by the knowledge, this Socrates’ vision of the liberty according to which: "the sin is an unintentional consequence of the ignorance", has been taken back and modernized toward a new community thought of liberty. In this perspective we set there in the position to teach to observe over the simple action to see the reality.
15. The indications of this manifesto are not to imposes bridles but an ethical that it proposes of behaviour that points out the direction not the road.
16. Our art won't be decadent, banal and academic therefore it is PURE PAINTING
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