Reviews

Gilles Mansillon

should art be collectable?

Many artists I enjoy to see in galleries or museums would not make it into my environnement, because they are too violent, to invasive, or just not pleasant to look at.
Most of what I see in the world of contemporary art have negative impact on me, or no impact at all, and so I question why so many artists are presently focussed on creating horror shows? It is for pure commercial reasons? Seems to be working then...
Is it because we know that negative images have more chance to impact the surface of the mass consciousness and therefore be accepted as important by an ignorant public?
In time I feel that we will return to greater meanings, higher values and we will seek again to create art that brings about joy to the heart and opens the mind to greater freedom.
It may be too early to talk about this and/or to be understood, but I thought I would give it a shot anyway :)

Tags: philosophy

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as you said once it will all finish, the idea of horror and death was very common in the Baroque, these ideas will perish and return again. For me, maybe because i m very curious , i think there should be many levels of art, as in life there are many levels and layers for everything.The deepest you go the more you come closer to what we call truth, not everybody wants to go further so I agrre that there should be layers to understandind for everyone. But what i totally agree is that in contemporary art there is a dictature of the first level, and it is quite oppressing and boring.But as you sai it will change and can t wait...

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Hello,
A small response to the question 'Should Art Be Collectable?'. Personally, I think it can be but doesn't have to be. This surely depends on the artists intent and his/her relationship to a potential audience. Context seems to be everything within this debate. What might be deemed acceptable or collectable in one country or local, may be very different in another. I'm not entirely convinced that there is a preponderance of negative imagery exhibited - although I accept that the news media seems to wallow in it. Perhaps as a species, mankind is going through a necessary (albeit late) phase in its' evolution where it needs to reflect on and negotiate difficult questions concerning its position on this planet. 'Negative' based issues need to be dealt with, exhibited, published, and indeed collected, in order to expose important and possibly unpublicized issues - environmental concerns for example. Within my own medium of photography, I regularly have to deal with the fact that I am seduced by the plasticity and craft of the medium while looking at a horror story. Beauty and ugliness, positive and negative do not have fixed parameters. Education seems to be key in the debate too. How and where do we develop our preferences and prejudices? Ironically, the very tools we are using for this debate - the web, has probably done more to promote negative imagery than anything in the history of mankind. We are given less and less time to be selective and to reflect on important questions being over-saturated with information. Our preoccupation with speed seems to know no bounds, and perhaps it is one of the roles of the artist to challenge this status quo. Art is just one component of a market system we live in. It is a little like the old debates around commercial art versus fine art. The question of a systems value, truth or ethical status in relation to art is complex. However, if we don't like the system, then we have to create an alternative or risk being engaged in a principled but ultimately self-serving exercise.

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But the environment,fight prejudices are positive and necessary aspects. the problem is that they are not discussed enought, i think the aim of the post was against commercial blockbuster art , just to shock and sell with no other intent.

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Fair comment my friend, fair comment!

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indeed, that is also my thought and your work is also an expression of that too. i am sure the art world will return to such values in the next ten years, but in order to be renaisance there as to be a death of the old, i guess...

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of course, violence is very present in the works of carravaggio for example. i had a number of his paintings to sale over the years, and i have come to realise that even now, most collectors wll not touch or buy a painting of a man holding a cut off head, when a great stll life or a more pleasant subject will sale to any number of collectors... in the same token, in general, portraits of pretty girls will always sell better then portraits of old bearded men...

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thanks for passing by, i have been busy with the new paintings;
and of course you are right. there is strong auction frenzy around certain intellectual art that sometime lack soul to me, but there is also a lot of good art out there.. not as much i woud like. i think artists have to be avant garde in proposing futur models of reality; so i will always prefere those with positive outlooks.

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Should art be collectable? I'm tired of this bullshit. Of course art should be collectable only if it is bought from artist during his or her lifetime, not after their death. ha ha ha

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