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artreview.com 21 November 2008

John Collier

Smithsonian National Portrait Gallery - Call for entries

The call for entries for the 2009 Outwin Boochever Portrait Competition runs from June 2 to July 31, 2008

What Is Today's Portrait?
A portrait can communicate much more than a likeness. Is it a miniature love token? A window to the soul? A captured moment? A negation of personality? And what means do artists use? Pointillist painting? Plasticized sculpture? Pastel drawings? Pixilations? Images based on individual DNA? Psychedelic video?
The National Portrait Gallery invites artists all over America to investigate the contemporary art of the portrait for the second Outwin Boochever Portrait Competition, to be held in 2009. The competition and resulting exhibition will celebrate excellence and innovation, with a strong focus on the variety of portrait media used by artists today. The National Portrait Gallery welcomes single figures, groups, or self-portraits—from classical drawing and painting or hyperrealistic sculpture to large-scale photography to prints and new media. The competition is named for Virginia Outwin Boochever (1920–2005), a former Portrait Gallery volunteer whose generous gift has endowed this program.

What is the Outwin Boochever Portrait Competition 2009?The competition is open to all professional artists age 18 and over who are living and working in the United States. Both emerging and midcareer artists are invited to participate. Each artist may enter one work depicting anyone—a friend, a stranger, a relative, a self-portrait—but it must be the result of the artist's direct encounter with that person. While the human form must be the focus of the work, artists are invited to interpret the concept of portraiture broadly; for example, an entry might not include a face. The work must have been completed after January 1, 2007.

The winner of the competition will receive a cash award of $25,000 and will be awarded a separate commission to portray a remarkable living American for the Portrait Gallery's collection. The winning artist and the Portrait Gallery will collaborate to select the subject for the commissioned portrait. The second-prize winner will receive $7,500, and the third-prize winner will receive $5,000. Up to four additional
artists may be commended for their work, and they will receive $1,000 each. All finalists' works will form a major exhibition on view at the National Portrait Gallery from October 23, 2009, until August 22, 2010.

Entries will only be accepted electronically, through the National Portrait Gallery's Web site, http://www.portraitcompetition.si.edu, from June 2 until July 31, 2008. Entry to the competition and submission of JPEG images is available online for a nonrefundable registration fee of $35. Artists who wish to submit time-based media (video, film, digital animation) will find instructions for entry on the competition Web site. Artists may submit a statement about their work, their particular entry, and/or the circumstances of the creation of the portrait. Dimensions and medium information will also be requested.

The first round of jurying will be done online. Judges will identify the semifinalists, whose works will be transported to Washington, D.C., at the Portrait Gallery's expense. The final selection of winners and other exhibitors will be made from those original semifinalist portraits. All works transported to Washington, whether chosen for the exhibition or not, will be returned to the artists at the Portrait Gallery's expense.
The public will have an opportunity to vote for its favorite work among the finalists through the People's Choice Award.

Please read the detailed rules for the competition before entering.

Tags: figure, figurative, call, portraiture, competition, portrait

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FYI, I am in Washington D.C. about once a month for my day job and I visit the National Portrait Gallery and the attached American Art Museum on every trip (because I don't usually leave work until 5 and these two galleries are the only ones open until 7 PM). Although the collection is fantastic, you aren't really going to find too many "edgy" pieces. This is a conservative, Federally sponsored museum (think bus loads of grade school children). So if double-dildos and alligator clips on the nipples are your forte, you should probably just pass on this artist call. Although I could go for a few snapshots. Seriously, who doesn't like double-dildos and alligator clips???

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good information. thanks for sharing, John

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