Gimme Shelter! Opening Thursday, July 15th

Artists: Zachary Buchner, Kevin Cyr, Matthew de Leon, Jonathan Durham, Jonathan Ehrenberg, Kate Gilmore, Angelina Gualdoni, Eric Heist, Nicholas Johnston, Dimitri Kozyrev, Fawn Krieger, Caitlin Masley, Jaclyn
Mednicov, Ryan Sarah Murphy, Lisa Ross, Nicolas Rule, Suzanne Song

Mixed Greens is excited to present the group exhibition Gimme Shelter. While shelter is traditionally defined as a structure that provides protection, these seventeen artists present a more complex, multifaceted understanding of the concept. More
specifically, the works in this show investigate the delicate balance of
perception: whether a space is inviting or uninhabitable, comforting or
crumbling, being constructed or consumed.

Most traditional are the artists who represent a place of sanctuary or refuge. Kevin Cyr’s Camper Kart, for instance, is the fully habitable fusion of a shopping cart and a
small camper tent. What is unclear, however, is whether or not the sculpture is
meant to be a safe haven for a future worst-case scenario, or if it represents
an immediate survival strategy. Less obvious, but equally direct, are Lisa
Ross’ photographs of spiritual structures in Northwest China and Jonathan
Durham’s video, a step-by-step lesson in filming a worship service at a
mega-church in Texas.

In juxtaposition, Fawn Krieger and Zachary Buchner create abstract sculptures—Krieger’s on the floor and Buchner’s on a pedestal—that appear to take building remnants and either preserve them or recontextualize
them as more idealized architectural structures in the process of expanding.
The abstracted spaces defined by Angelina Gualdoni’s paintings, Ryan Sarah
Murphy’s collages, Caitlin Masley’s housing project drawings and Dimitri
Kozyrev’s paintings of military bunkers are equally blurry: The landscapes are
seemingly growing while simultaneously disintegrating. Each piece is full and empty, vast and
microcosmic.

Many other artists represent structures as having fallen out of use or ceasing to exist. Jaclyn Mednicov’s deserted landscapes, Nicholas Johnston’s ice caves, and Eric Heist’s renderings of post-Katrina New Orleans
capture sites that “once were.” And Suzanne Song’s illusory wall painting
implies the shadow of remnants, or the outline of a structure no longer there.
Quite literally, Kate Gilmore’s video, “Down the House,” records the artist
smashing a pile of construction debris into even greater obliteration.

Alternatively, the characters in Matthew de Leon’s video Can’t and Jonathan Ehrenberg’s video Moth are unable to escape their dreamlike otherworlds, leaving the inhabitants unable to connect to reality. In this scenario, their
surroundings act ultimately as prisons, reminding us, as Nicolas Rule’s drawing
suggests, that a shelter may be uninviting or even unwanted.

*I hope you can join us for the opening reception on July 15th, 6-8pm--the Wafels & Dinges truck will be parked outside to satisfy your Belgian waffle cravings.