Those who’ve been complaining that Charles Saatchi is too powerful to be so private will be happily devouring the reclusive supercollector’s recently released ‘tell all’. But as
ARTnews reports, the publication last month of
My Name Is Charles Saatchi and I’m an Artoholic hasn’t made all the old controversies go away. The book is presented as answers to a series of question posed to him by a committee of interested parties – journalists, critics, members of the public. Among the questions asked of the former adman and future television impresario (the BBC will be airing his art-talent reality show in October) was whether he felt responsibility towards artists whose work he had sold in bulk: “Of course some artists get upset if you sell their work”, Saatchi responds. “But it doesn’t help them whimpering about it, and telling anyone who will listen.” Italian painter Sandro Chia was famously one such person, and though Saatchi’s sudden exiling of seven of Chia’s works from his collection did seem to precede a waning of interest in the artist (as was described in a
Vanity Fair article more than 20 years ago), questions of motivation and intention behind the buying, selling and swapping of these works remain – and will surely continue to remain – unanswered. In their place: a cautiously phrased minor factual correction from Chia’s then-dealer in the US; words of support for Saatchi from Chia’s then-dealer in Europe; and Chia’s own confusing assertion that Saatchi was "the one who started saying that he dumped my work and destroyed my career, which was absolutely not true… I freed myself from the old mechanism and in a sense I had freed myself from the burden of the gallery. I’m independent, so, thanks to Saatchi."
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