Zsi Chimera's Page

Zsi Chimera Hungary

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Zsi Chimera's Page

Profile Information

Website
http://www.saatchi-gallery.co.uk/stuart/StudentArt/ast_id/70411
College / University
Kingston University (Ba)
Program
Fine Art
Member type
Artist
If you're an artist, what kind of art do you make?
Conceptual, Digital, Drawing, Event, Film, Installation, Painting, Performance, Photography, Sculpture, Video
I am...
a question
About my artwork
“...objects contain the possibility of all states of affairs”
Ludwig Wittgenstein


There is a momentarily space, a state of mind that happens directly before we recognise something, before we identify it with an already known phenomena.
Through the observation of ideas emerging in our mind, my aim is to capture the most peculiar and inexplicable. I am fascinated by the uncanny nature of subconsciously made associations. My intention is to share an experience of the unexpected with the audience, and also to inspire philosophical contemplation in the viewer through the medium of performance, collage and photography.

Since my first year at Kingston University I participated in a series of performance art workshops taught by Dagmar Glausnitzer-Smith. Here I became fascinated by the engagement with the present moment, the awareness of the now and discovered a level of concentration when another world opens up beyond the visible every-day reality. From the start I identified with Dagmar’s perception of live art as T.A.T.(meaning pure action). In 2005 in Edinburgh I documented Transitstation, a 24 hour exhibition as event that brought regional and local artists together to work alongside with artists with varying cultural backgrounds. My general outlook on life changed; I stopped taking preconceived ideas for granted and started to deconstruct traditional ideas about social and physical behaviour. This concept became the underlying force behind my artistic progression, which becomes apparent in my collage works also.

The first collage I made at the beginning this year came about accidentally when I was preparing images for screenprinting. At this time I was inspired by the concept of free associations as it appears in Freud’s psychoanalysis and in the technique of automaism practiced by the surrealists. I turned for intellectual and aesthetic guidance to Max Ernst for his purely uncanny collages, and to Joseph Cornell for his melancholy and nostalgia. I found novelty and freshness in juxtaposing seemingly unrelated objects such as musical instruments, old clocks and telephones, plants, cutlery and some parts of the human body... These compositions I put together from my own photographs as well as from found imagery and then I placed it onto a kind of mind field represented by the old pages of a found book.


Carrying on the observation of mental connection between ideas, since springtime this year, I started a collaboration with Alex Chase White ( Photographer and Performance Artist). We were both inspired by the the provocative work of chez photographer Jan Saudek and the novels of Milan Kundera. This collaboration focused on the relationship between Performance Art and Photography. The approach we have taken was the opposite of the traditional perception of photography as a mere documentation of performance. Our work became more theatrical, suggesting layers of meanings by the symbolism of objects present in the process of performing to the camera. Our intention is to raise the role of the photograph to a level when it goes beyond being a simple tool of documentation, but becomes a work of art in its own right.

My most recent work involves translating ideas and scenes from ancient greek myths into a visual language through performance/live art and photography. I have started to use a new method for this, by using phtographs to assemble a collage, and then feeding back this progressed image into photography again.
Artists I like
leonora carrington, max ernst, remedios varo, jan saudek, dorothea tanning, lajos horvath, rene magritte, gustave moreau, marina abramovic, dagmar glausnitzer-smith, andre breton, brian mccann, comte de lautreamont, alex chase-white, paul delmee, horst jansen...
The centre of the artworld is
another city

Artworks

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At 7:55pm on 29th November 2008, Jasmine Maddock said…
Ah a surrealist soul intriguing work
At 10:42am on 19th November 2008, Ekaterina Alexander said…
Hi Zsi, enjoyed looking at your work very much, original and inspiring
At 7:33pm on 4th November 2008, ART & ARTISTS LA said…
BLUEBIRD ART HOUSE AND ART&ARTISTS LA are pleased to announce the 1st INTERNATIONAL JURIED COMPETITION 2009.

Open to all artists in all fine arts media we seek to recognize outstanding quality and diversity in the arts.

The 2009 IJC is open to all artists worldwide, age 18 and older. All works must be original. Entries in the following medias will be accepted: Painting, Drawing, Mixed media, Printmaking, Watercolor, Ceramics, Sculpture, and Photography.

Entry Deadline February 15th 2009.

AWARD

A solo show next winter 2009 at Bluebird Art House and $1500 to the winner. 1 work in the show for each one of the 3 runner up.

To receive the Submission Form and bases

E-MAIL: BBIRDINTCOMP@YAHOO.COM
At 1:56pm on 29th August 2008, Manfred Marburger said…
Very nice work
At 11:38am on 19th June 2008, Luke Gilliam said…
Hi Zsi, got 8 new paintings up on Artreview. Check it out, best from Luke :)
At 12:32am on 30th May 2008, Luke Gilliam said…
Orulok hogy megismerhettelek - Je suis tres content de te rencontrer!

interest in Hungarian music. it goes a long way. i have written some small adaptations from String Quartet No 6 into a melody i used for a jazz song. maybe 15 years (on and off) listening to his music. maybe without him my art would not exist.

Ok i will put up at minimum Sketches Of Hungary and Zapatero Portabello (Zapetero... has the score cutting). Also I have a black and white photograph I sold at an exhibition which is called Message To Gunter Pichler which is also a tribute to Bela Bartok. many of the shapes i create require his music to conceptualise before creating.

Nuit Blanche is an exhibition in Toronto that featured my work in a video projection. It was group show and we got lucky with over 500 people in attendance ( as it was sponsored by Scotiabank ). I have never been a part of a show that big back home in Europe.

Most of my commercial recordings which are for sale on the internet are inspired by Heiner Stadler and Bela Bartok (also Hungarian Rhapsody No 9 by Lizst was essential for me to begin painting ie my work is not inspired or connected much with British art or culture). ok i connect you as soon as they are up. Luke :)
At 7:40pm on 29th May 2008, Luke Gilliam said…
Hi Zsi, I am interested in your group. As i have several pieces of work with cuttings from scores written by Bela Bartok (Rhapsody No 1). Several of my pieces are named in Hungarian and I also have a piece called Sketches Of Hungary which is a tribute to Bela Bartok (mixed media on canvass). I will be putting up i believe three in this series to my gallery on Tuesday.

Tell me more about your group. Best from Luke in UK.
At 7:56pm on 13th May 2008, Dagmar I. Glausnitzer-Smith said…
Dear Zsi, it is interesting there is a sense of immediacy in the recent work with Alex which I have not seen before.

The theatrical moment has been left behind.
Though seeing the new photography amongst the other ( older ) work makes it interesting as a whole.

bisou
Are you two coming to the August Workshops in Jerxheim?
At 2:25pm on 12th May 2008, CLAUDIE BASTIDE said…
Hi Zsi I enjoy reading your surrealistic compositions,it is music to my ears and brains!Thanks for it
Someone has opened a discussion on contemporary art and I answered to it a minute ago"contemporary art-idea over beauty"
It would be nice if you joined it.
I love the idea of summer winds and yellow flowers on my chairs;it is so poetic !
At 3:39pm on 10th May 2008, CLAUDIE BASTIDE said…
Hi Szia concerning the arguement on contemporary surrealim,I wished to tell you (outside the discussion) that you pointed out a very true statement about concept when you said that pure concept makes very intellectual artists with oversized brains and no feeling ,no poetry!Unfortunately many young artists are unaware of this drift,just willing to follow the tendency of conceptualism.There is much to be said about this!
May be you could open a discussion group about it?(my english isn't good enough to do it)
I appreciate your turn of spirit and the way you have integrated surrealism !
Cheers
 
 

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