Hello, you need to enable JavaScript to use this network.

Please check your browser settings or contact your system administrator.

artreview.com 12 October 2008

Luke Gilliam's Page

Latest Activity

Bruno Penteado left a comment for Luke Gilliam 9 hours ago
Stephen Plount left a comment for Luke Gilliam 10 hours ago
Luke Gilliam left a comment for Stephen Plount 10 hours ago
Luke Gilliam commented on the photo cloudy day 10 hours ago
Deirdre A. Fox and Luke Gilliam commented on the photo Seated II 10 hours ago
D. Lee Ted left a comment for Luke Gilliam 10 hours ago
Luke Gilliam left a comment for SaLon Gallery 10 hours ago
Luke Gilliam left a comment for Andrew Maydoney 10 hours ago

Profile

Website
www.zenphyremos.onesite.com
Relationship status
single
College / University
Trebas Institute Toronto
Program
Engineering
Graduation
17 February 2008
Member type
Artist
If you're an artist, what kind of art do you make?
Installation, Painting, Photography
I am...
A young painter living in England. Active in the industry including selling work to private collectors in the Bath Bristol Region. Frequently travel to France working with the music collective imuZZic made up of Bruno Tocanne, Adam Daudrich, Louis Sclavis, and Henri Texier to produce music and bring back ideas surrounding free improvisation, minimalism, and symbolism to feed into my paintings based here in the South West UK.

I frequently work at the St James Wine Vaults selling work and mixing live bands The Dusty Stars and Port Erin.
About my artwork
Disturbed, cut, mixed, geometric, multi dimensional, symbolic work often infused with fabric, metal, and blood. Made to sell but directed away from the commercial market in the UK and towards young philosophers and people into media studies.

I have been holding exhibitions since 1994 which include...
EARLY HUNGER, Toronto 1994
MR J, Toronto 2003,
ZENPHYREMOS, Lyon 2006
NUIT BLANCHE, Toronto 2007
SIMPLETON, Bath 2008
BATH OPEN ART FAIR, Bath 2008

My process. I would say the most profound moments of my life have been studying South American shamanism or 'nagualism', producing jazz music, and listening to Hungarian folk music. In particular it is the sorrow and 'ungraspability' or 'intangibilty' (or just 'mystery' if that is easier) of Hungarian folk music that conjures voyages in my subconscious. I begin with a memory of one of these profound moments and use found objects in my studio such as books and sheet music as the beginning of a shape or symbol that goes direct onto the canvass. It is from that starting point that I build outwards by cutting, scraping and reshaping the source symbol that I realize what needs to be added, either with paint, charcoal, metal, or fabric in order to arrive at a finished piece. In this way I transform my perception of what has ignited me by moving my hands. The movement sets the transformation into motion until the source symbol has become a new being. I do not see these as paintings or sketches but as voicings or statements coming direct from the source of the universe onto the physical medium in my studio. This is my process.

Most of my work is a homage to my friends Bruno Tocanne, side man to the veteran violinist Didier Lockwood, and Heiner Stadler, producer to the late John Lee Hooker and director of Labor Records. It is their ideas that drive me. It is thereby art inspired by experimental music and all of the symbology surrounding it.

Three snippets of information about me from three friends:

"I looked at Luke's work [zenphyremOs]. It's beautiful! It's really amazing. It's also the sort of work that people would want to buy."
Sally Clark - Writer, Vancouver

"(A Passagem) ? uma bela combina??o de texturas, superf?cies e m?dia. Seja enquanto fotografia, colagem ou desenho, eles s?o bem combinados e lembram-nos de que ? poss?vel compor algo belo e mesmo assim provocante. Uma representa??o visual muito expressiva da experi?ncia t?til.? "
Rodrigo O.L.C. Bernardo - Student To Thomas Farkas, Sao Paulo

New Day Volume 1
"I listened to Luke's music. It is strong and to the point. I like it."
Heiner Stadler - Labor Records, New York
Artists I like
Pretty much Joan Miró. In reality though I don't actually care what people are doing. I steal people's work regularly, cut it, edit it and remake it until I arrive at an honest reflection of what I see in the world around me. Thereby I don't care about Joan Miró or any other artist, old or new, here in the UK or overseas. It is irrelevant if you know that creating in the moment is all that exists and that most of people's opinions add up to be of little use to echo the true voice of the source.
Interests
Eating crisps at odd angles and speaking Russian at youth hostels across the UK. Researching how music and art connect. Please check out the following websites!! ::

http://www.laborrecords.com/
http://www.brunotocanne.com/
http://cdbaby.com/cd/adamdaudrich
What exhibitions are good at the moment?
They had some lithographs from Guernica at the White Room Gallery which were pretty interesting. Although I basically detest the Victoria Art Gallery (sorry guys) they did present some work recently by Keith Vaughan which was a real eye opener.
The centre of the artworld is
my studio, nowhere and everywhere

My artreview.com URL:
http://www.artreview.com/profile/LukeGilliam
You can use this URL in your email, on your website, or on your facebook profile.

Luke Gilliam's Artworks

Loading…

Luke Gilliam's Blog

Searching Artist In Bristol Area

Am Currently looking for a mixed media artist to collaborate on a group show at St James Wine Vaults coming up in November 2008. If you see this posting and have ideas please contact me!

Posted on 26th May 2008 at 2:25pm — 5 Comments (Add)

Comment Wall (263 comments)

You need to be a member of artreview.com to add comments!

Join this network

At 11:51pm on 11th October 2008, Bruno Penteado said…
hey luke,

how are you doing? saw the new ones! great! left comments eventhough i'm not very good at it (analyzing). so you've left yellow behind for the moment?

congrats and keep on working!!

hugs,

brunop.
At 11:42pm on 11th October 2008, Stephen Plount said…
I think that cloudy day just came up out of the day that the piece was painted and the end result. Titles often come after the process for me. It was that small long rectangle at the bottom that looked like a land or seascape. And since Im on the west coast....and seeing many clouds and waves it seemed appropriate. Rectangles are for me icons of many things that one could actually paint in mimesis but I am as you say, forcing, the paint into the geometry in order to have it come out the other side as the memory or the sign of a phenomena.
best. SP.
At 11:03pm on 11th October 2008, D. Lee Ted said…
Alas, I cannot sort which are the new works. You'll have to forgive me if I jumbled them with older work. The yellow background works and the orange work have a strong presence. Best.
At 10:36pm on 11th October 2008, Ekaterina Alexander said…
You are most welcome, Luke ::)), a very impressive series all together, I think you are becomming less decorative and more radical in your work... Ekaterina
At 7:37pm on 11th October 2008, jonathan said…
Great answer.
At 12:34pm on 11th October 2008, jonathan said…
You name rings bell,
I've just started a blog 'Art with a Christian Purpose seems more modern?' please add opinion.
At 11:58pm on 10th October 2008, Germán Britch said…
Thank's luke for your always welcome comments.
You know i'd really like to show my work in Europe, but in this moment i am looking for a marchand o a gallery that represent me...do youknow any data to conecting for?....a huge embrace Luke, see ya
At 10:37pm on 10th October 2008, Stephen Plount said…
I think that that piece is similiar to your earlier series Bycicola, especially Brenzells and the Benzai Jeudi. Of course I've a leaning to the serial and the small and delicate change within an ouevre. The faded color and, not so much composition as the placement of elements is sort of like an old page from a French manuscript about Northwestern American Indians. In the other works I mentioned it is not only the brilliant color and juxtaposition of color and form but the love forms that relate to what you once called your "being stuck" in a certain time period. Even so, the work represents a struggle in growth within that visual language and a success. It is of course forgetting to know that brings about accidental beauties that we always hope to repeat.
Best regards
Stephen
At 2:52pm on 10th October 2008, Noellisart said…
Hi Luke! I like in particular your photo Ninety Hummingbirds. Your work shows research and creativity. Like it.
At 1:00pm on 10th October 2008, Emilio Zapotek -Idiosynchronist said…
Thanks luke, realy like Valley Of The Ninety Hummingbirds
 
 

Latest Activity

Danny Germansen Danny Germansen left a comment for Noëlle Grosso 12 minutes ago
amina bech amina bech left a comment for Sophia Louisa Lee 16 minutes ago
Ekaterina Alexander Ekaterina Alexander left a comment for Ben Young 17 minutes ago
Mona Mona left a comment for ART & ARTISTS LA 20 minutes ago

Members





 

Report an Issue | Feedback | Subscribe | About us | Jobs | FAQs | Contact us | Links
Terms and Conditions | Privacy Policy | User Material

Spread the word! Get an artreview.com badge