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Keiko Sato
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Keiko Sato's Friends

  • Lau Hok Shing, Hanison
  • Paul Berkholst
  • TAN Ru Yi
  • luis mondragón
  • Nina Krok
  • Heather Tweed
  • Terry
  • Bart van der Mark
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  • Masha Yozefpolsky
  • seczko
  • osvaldo cibils
  • Kerstin Wagener
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Keiko Sato's Page

Latest Activity

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N.S.VALLUVAN left a comment for Keiko Sato
TRANSCENDENTOGRAPH
Sep 8, 2010
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Keiko Sato is now friends with TAN Ru Yi and luis mondragón Jun 1, 2010
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metamorphosis

Photo posted by Keiko Sato Jun 1, 2010
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Vytenis Burokas commented on Keiko Sato's photo
this installation seems to work for me, nice instaliation, also when I saw it, I remembered quite similar minimal instaliation in 2009 Venice Biennale, near entrance into Arsenale...
May 21, 2010
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Keiko Sato and Heather Tweed are now friends May 11, 2010
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Keiko Sato and Lau Hok Shing, Hanison are now friends Apr 24, 2010
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Keiko Sato commented on Keiko Sato's photo
When I got a three months studio project in Berlin, I finally made this installation. I took photos in the city and collaged them on the stones and woods I found in Berlin.
Apr 12, 2010
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seczko commented on Keiko Sato's photo
dreamlands
Apr 12, 2010

Profile Information

Website
http://www.keikosato.nl
Relationship status
in a relationship
College / University
Goldsmiths' Collage, Jan van Eyke Akademie
Program
Fine Art
Graduation
June 10, 1995
Member type
Artist
If you're an artist, what kind of art do you make?
Conceptual, Drawing, Installation, Photography, Video
I am...
Keiko Sato. I was born in Japan, worked as a midwife for 10 years and went to London to study Fine Art. I am living in the Netherlands.
About my artwork
When I create a work, I first follow the nature, structure, quality and the meaning of materials and objects that I am dealing with. For instance, I believe that the emotional meaning of cigarette butts lies in the fact that they are a remnant of human behaviour and desire. Ashes imply that something was burnt. They represent the process of disappearance and death. In the end, I use this emotional meaning and the organic structure of objects to give form to my work.
One day, I put a big glass tube (about 30cm x 150cm) on the floor in the corridor of the Art Academy. A man with limited eyesight knocked over the tube and smashed it completely. I went there and knew I had discovered something important, yet it was not clear to me what that something was. How the tube turned into pieces of glasses in one second was amazing. The tube was no longer there: only fragments remained. I then realized that in nature, everything changes, and that nothing is stable. When something disappears or is destroyed, something new begins. This discovery gave me an idea of destroying objects and making something new out of them, as if creating a new landscape with pre-existing materials. In my work, the old and the new, and the end and the beginning are present at the same time. In other words, different concepts of time claim the same space. The works show and imply the direct and natural process of material changing.
Centre of the artworld:
nowhere and everywhere

Keiko Sato's Photos

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At 7:03am on September 8, 2010, N.S.VALLUVANN.S.VALLUVAN said…
TRANSCENDENTOGRAPH
At 11:48am on April 12, 2010, Keiko SatoKeiko Sato said…
Thanks!
At 10:12am on April 12, 2010, osvaldo cibilsosvaldo cibils said…
hola thanks, excellent work!!!!
At 6:29pm on April 1, 2009, Giulio BaistrocchiGiulio Baistrocchi said…
Hi keiko thanks for the add
g
At 1:04pm on October 10, 2008, artreview.comartreview.com said…
Hi Keiko Sato!

Welcome to arteview.com.

Hope you enjoy the site. Also check out ArtReview:Digital-- it’s ArtReview magazine on your screen every month, and it’s FREE!
 
 
 

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