If you're an artist, what kind of art do you make?
Digital, Drawing, Painting, Printmaking
I am...
Kane Cunningham an artist living in Scarborough, North Yorkshire.
About my artwork
My work considers issues related to the tradition of landscape painting. I believe the landscape painter has a voice in which to express issues related to history, politics and cultural change.
This is important ground in which the artist can express concerns that effect the wider community. The landscape painter is important and should be positioned as such within the wider world of contemporary practice. It is not simply about painting a few trees or a dry stone wall, which in its self is symbol of class division and start of the industrial revolution through the enclosures act.
Artists I like
Picasso, Turner, John Piper, John Hoyland, Waterhouse , Peter Lanyon and Ben Nicholson
Interests
Travel, mountain walking and history
What exhibitions are good at the moment?
Good stuff on in Berlin at the moment, worth a visit.
Well, I can't say that I know any Peter Saville's, or this one indeed - I guess I'm out of the loop - but Mike B says he's his fave designer. What does he design?
I have been directed towards your page by mr. Godley - I wanted to tell you that I find your work extremely interesting
and your approach to painting landscapes quite inspiring.
With best wishes
Mike
I feel the dichotomy, there is no romance I assure you. Though there is a dignity in labour, skills that are a lost to an era that was subservient to a class system.
I ask my students what do they see when painting a landscape, do they see I ask that a dry stone wall represents social division, the enclosures act of the 18th Century.
This is why landscape painting still has a relevance in todays contemporary art world.
It can say volumes about class, history and politics.
Kane
Thanks Kane but I think you tread a slippery line between a romance in a certain dignity of labour that once was and naked exploitation. I am old enough to remember a great uncle being evicted from his tied cottage when he broke a leg and was no longer considered a viable unit of production. His usefulness went with his working life and so did his tied cottage and all that he'd known all his life. Your Mancunian working class instincts were true. We'd ignore them at out peril.
Kane,
I've thought about your "cappuccino period" assertion and whilst ...as I've said....where I am right now it's all bloody Blanquette ...where you are, I intuit that cappucino is just too retro. Latte, Kane dwarling, everyone's into latte now. I've also looked at your work again and reckon I shortchanged you with my last comments. It's hard to pin you down to a definable style as you really do paint with equal dexterity and aplomb in several, if not many. I'd guess this is you "enjoying the moment" in paint but I am deeply envious of your talent and suspect you are a really good teacher. That said, you'd be a bugger to market. Ha! And I still don't drink frothy coffee but thanks again.
Good comments, I blame it all on Picasso and an art school education.
I have been looking at the scottish colourists recently, Cezanne and the Glasgow Boys.
It's just good old fashioned painting, no pretence or theoretical bollocks.
It's about a subject, paint and a feeling for the moment.
Kane
Hi Kane, the olympian ...well I always did feel like a goddess but no, not a relative! There was a lady who lived alone there for many years her father was the viceroy of india ..I had glasses of lemonade on her dusty couch..The bridge is at comar...it is a deserted paradise in the summer but it was full of clansmen before the clearances.. I have old photos ...Sophia
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and your approach to painting landscapes quite inspiring.
With best wishes
I'm scratching my head about this "personal object" you want me to take, but I'm sure I'll find something.
Is it a suit job or jeans and tee shirts?
I feel the dichotomy, there is no romance I assure you. Though there is a dignity in labour, skills that are a lost to an era that was subservient to a class system.
I ask my students what do they see when painting a landscape, do they see I ask that a dry stone wall represents social division, the enclosures act of the 18th Century.
This is why landscape painting still has a relevance in todays contemporary art world.
It can say volumes about class, history and politics.
Kane
I've thought about your "cappuccino period" assertion and whilst ...as I've said....where I am right now it's all bloody Blanquette ...where you are, I intuit that cappucino is just too retro. Latte, Kane dwarling, everyone's into latte now. I've also looked at your work again and reckon I shortchanged you with my last comments. It's hard to pin you down to a definable style as you really do paint with equal dexterity and aplomb in several, if not many. I'd guess this is you "enjoying the moment" in paint but I am deeply envious of your talent and suspect you are a really good teacher. That said, you'd be a bugger to market. Ha! And I still don't drink frothy coffee but thanks again.
MIKE
Good comments, I blame it all on Picasso and an art school education.
I have been looking at the scottish colourists recently, Cezanne and the Glasgow Boys.
It's just good old fashioned painting, no pretence or theoretical bollocks.
It's about a subject, paint and a feeling for the moment.
Kane
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