Call for Artists: "Fibers Expanded"
Exhibition: May 2, 2009 - June 6, 2009
Deadline for Submissions: March 25, 2009 LUKE & ELOY GALLERY currently reviews images for the gallery's exhibition "Fibers Expanded" scheduled for May 2 - June 6, 2009.
We are interested in artists who use a wide range of techniques, including but not limited to hand- and computer-assisted weaving, tapestry, knotted, coiled and constructed sculptural forms, collage, embroidery, knitting, crocheting, weaving, as well as a variety of traditional and innovative dyeing and patterning methods. Submitted pieces should use natural and/or synthetic fibers predominantly, and both abstract and representational images are allowed.
Info: www.lukeandeloy.ning.com
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Dear Friends,
please find attached here the pdf form of the "World Art day Brochure" printed by UPSD the National Turkish Committee part of IAA, world International Art Associations.
The brochure gives the details on the selection by IAA general Assembly in Guadalajara in April 2011 of Leonardo da Vinci s birthday as World Art Day which will be celebrated for the first time on April 15, 2012.
Sincerely
Bedri Baykam
President
UPSD
UNESCO A.I.A.worldartday_print.pdfIn terms of my thinking process--it definitely has a lot to do with childhood memory. In fact, I was working on several of these pieces the same summer I was writing a short story set in Johnstown in 1918, during the flu pandemic of that year. The narrator, a young boy, who has grown up haunted by the town's memory of the 1889 flood, contracts encephalitis lethargica, the "sleeping sickness." (You can actually see a reference to the story in the wikipedia entry on the Johnstown Flood!) The story, I think, dwells upon how the traumas of history (i.e., the Flood's destruction) and newly emerging traumas (war and disease) intersect in, and serve as powerfully suggestive forces to, the boy's dreamlife and imagination.
The working title for my series of assemblages, "Musaeum Clausum"--as well as the title "Urn Burial"--comes from Sir Thomas Browne, a writer in the 17th century (prime time for cabinets of curiosities!). "Musaeum Clausum"--which translates as "hidden museum" or "sealed museum"--is a museum catalogue of all manner of legendary/mythical/apocryphal curiosities; it's an imaginary museum, since Browne does not possess--cannot possibly possess--the included artifacts.
"Urn Burial" is a series of reflections on the contents of some Roman urns dug up in England during Browne's time. The miscellany of scraps and fragments contained in the urns sets Browne's imagination on fire, causing him to reconstruct the lives, customs, and belief systems of the people who once possessed these things.
This is to say, I guess, that my assemblages are driven my an urge to collect; the desire for and fear of preservation; the way our attention is perhaps mysteriously drawn to certain objects, which can evoke whole nebulae of associations and serve as indicators of whole lives outside the frame; and the romance of the elusiveness of the things of memory and dream. I often have dreams where I've found some wonderful thing and know, even in the dream, that I'll lose it when I wake up, yet hope I won't; if only there were some magical resin that could fix the object long enough to get it to the other side of that abyss.
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