This week's studio favourites: Echoes in a Shallow Bay/Tiny Dynamine - Cocteau Twins and The Best Of Augustus Pablo...
Comment by Cora de Lang on November 15, 2008 at 9:47am
Nice to be here ! about the music I use while working ... it is so different it depends the mood , from African , to classical , Indian,minimalist , pop , Koto etc
I use to listen to the sound of silence when I'm creating , mostly of the time..
but sometimes happen that I listen to music by Zamphir, Charlie Chaplin, Chris Rea, Frank Sinatra, Frank Zappa, Queen, Caruso, Pavarotti, ELO, Slave...etc..etc... well...:) all depends of what kind of art I'm in and what kind of mood I'm too..:)
Comment by Sophia Isajiw on October 19, 2008 at 6:01pm
buenos muchachos and bajofondo are cool.
try some tuku music (oliver mtukudzi)
http://www.youtube.com/watch?v=xTA0Uncibck
http://www.youtube.com/watch?v=PwHXmxKV9Rs
gloria:
http://www.youtube.com/watch?v=ESg4Hnzdy5U
some tito:
http://www.youtube.com/watch?v=YL7hz_HLSk0
some orquesta aragon:
http://www.youtube.com/watch?v=6M5AygPuR9M
if anyone could trace this song down and send me an mp3 i'd love them to death:
http://www.youtube.com/watch?v=ISmOGkAniZ4
some ulrich schnauss and gotan project and niraj chag
http://www.youtube.com/watch?v=Y2HhiJl7dOU
for spatial, contemplative moments, and so much more!
If I'm trying to think about what happens next, I find I can't listen to music, it influences me too much. If i'm at a 'non-thinking' stage... all kinds of stuff including drum & bass, jazz, alt/post/punk/rock, musique concrete...
At the moment I seem to be listening to a lot of piano music, usually either John Cage or Einojuhani Rautavaara...
Well, I've not been here for some time because I've been BUSY! Yes. The latest on the Fringe Front is that we have launched a twitter feed @thetruepattern which you should follow if you're interested in what unfolds with that whole affair. I don't run it, I just supply some of the info to the tweet master. In addition, we have a myspace page which is serving as a…See More
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