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Permalink Reply by Bruce Riley on March 12, 2009 at 14:50
Permalink Reply by sdjrsejr on March 18, 2009 at 21:43 
Permalink Reply by zxcvbnmlkjhgfdswertyujh on April 6, 2009 at 18:52
Permalink Reply by zxcvbnmlkjhgfdswertyujh on April 6, 2009 at 23:28
Permalink Reply by zxcvbnmlkjhgfdswertyujh on April 7, 2009 at 15:17 The word art originally meant skill or a person with a a craft, around i think the eighteenth century, the word art meant some one with sensibility, and the word originality and spontaneity came into use, the romantics believe in genius which is the root of inspiration. Artists where no longer taught a trade past on from generation to generation, but broke away from the academy's,, artists disproving lessons taught, such as red should be in the foreground and blue in the back ground
my mother had a print by Reynolds i think of boy in blue where blue in the foreground and warmer colors are in the back ground, the artist here used his sensibility intuition. I am surprised when i see articles in journals discussing what is the meaning of art , if you look at it historically it is so simple. depending in what path you follow, you can start traditionally with intention, or with pure sensibility, For art in the past is art to what it meant then and art today is art by what it means today
Art is illumination and can be done with skill, or done with pure primitive genius, if you look at all art holistically it can only mean something that illuminates, stands out in thought .feeling sensation or whether it stands out in craft or sensibility.
look at the art of the insane, or outsider art, this can only come from the fountains of their genius. and it has no intention.
Permalink Reply by JANPOLJAN on December 28, 2011 at 0:17 (sorry for my bad English).
I think the intention is one rule of those artists who do a very figurative art (or is it too when it makes an extremely abstract art?) As saying to yourself " I'll do a nude or a landscape, or a still life, etc.
My art (which is not exposed because it will show next month) works with the idea that we don't need and can not always be connected to the intention when the work gets different influences at the time of its making. For it occur the artist must be able to take all the freedom that only art can give. The work called "She's thinking" or "The Thinker" was the first I've done with that freedom. I had a simple concept and left me free to create and I was not sure what the final result. When you have a theoretical concept about a certain thing and part to the manufacture of materials of the artwork and if left free, the final artwork is the diversity of parts in a single artwork.
Responding: Before you create, have only a small part of the intention, then she is lost in freedom. I never know what the end result of my artworks. An intention that guides your work hinders the result of influences that you may have during the making of the artwork, preventing a surprise there at the end of the process. You can be completely unintentional, but you left out a function intrinsically human: think. But just think is not enough. Therefore, we must also have no intention, not to lose another function intrinsically human: feeling. To feel e to think are parts of the process to live; intention and unintention are parts of the process to create.
Alexandra Burda joined dawn hilton's group© 2012 Created by Art Review Media.
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